QAMAR AL-DIN
The debut album of the unique and exciting rising trio KOMRADIN, Qamar al-Din, features instrumental renditions of compositions from the classical Arabic vocal genre Muwashah.
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This genre, rooted in classical Arabic poetry, is known for its intricate melodies and complex rhythmic cycles. The album opens with a traditional prelude (Dulab), inspired by the Syrian and Egyptian Wasla of the 19th century. Throughout the album, Abed Natour provides three readings from the original Muwashahat texts, preserving the essence of these traditionally vocal works.
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In addition to the classical pieces, the album includes two adaptations of renowned jazz compositions, incorporating elements of classical Arabic music such as Taqsim Mauwzon. Notably, it features a rendition of the well-known piece Lama Bada Yatathana. The inclusion of jazz is a natural extension of the band members' backgrounds, as they formed a deep connection to the genre through their education in jazz schools and extensive experience in the global jazz scene.
The choice of instruments—oud, tenor saxophone, and drums—reflects a dedication to the classical genre, which traditionally lacks bass or harmonic instruments. The oud takes on the harmonic responsibilities, the saxophone assumes the melodic role typically held by the ney or violin, and the drums provide the classical Arabic rhythms (Iqa'at). This arrangement highlights the symbiosis between classical Arabic and modern elements, with the oud engaging in harmonic and contrapuntal play, the saxophone embracing microtonal aesthetics (Maqam), and the drums maintaining the classical rhythms.
For booking and inquiries, contact komradinband@gmail.com
SINGLES
TIFF YA DURI
THE MORNING AFTER
